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A horseman of a different era | Hub
Virginia museum unveils Kehinde Wiley work in response to Confederate statues | Virginia | The Guardian
Kehinde Wiley | Houdon Paul-Louis (2011) | Artsy
As Confederate monument debate continues, Kehinde Wiley's new statue challenges the heroic narrative | Salon.com
Kehinde Wiley sculpture featured in Maier's latest exhibit - News and Events
Kehinde Wiley Makes a Statement With New Sculpture in Times Square | Architectural Digest
A horseman of a different era | Hub
Student Newsletter | Kehinde Wiley: An Archaeology of Silence
Live from New York | Cover Story | Style Weekly - Richmond, VA local news, arts, and events.
Kehinde Wiley Addresses Vulnerability and Resilience in a New Series of Monumental Portraits and Bronze Figures — Colossal
Rumors of War Arrives in the South | Perspectives on History | AHA
Kehinde Wiley Opening Reception
Kehinde Wiley Exhibit in Musée d'Orsay
Brooklyn Museum
Kehinde Wiley | Akilah Walker, 2015 | Art Basel
Bronze Public Sculpture by Kehinde Wiley Heads to St. Louis
Kehinde Wiley ahead of his exhibition at Orsay: “At the Louvre the history paintings are made to physically dominate you” - Judith Benhamou-Huet Reports
Kehinde Wiley's Anti-Confederate Memorial | The New Yorker
Kehinde Wiley's 'Rumors of War' Arrives in Times Square | GothamToGo
In Pictures: the Musée d'Orsay Presents Kehinde Wiley's Fallen Figures Alongside the Historic Sculptures That Inspired Them
Kehinde Wiley Raises Monument to a New Kind of History in Times Square – ARTnews.com
Rumors of War' by Kehinde Wiley Unveiled in Times Square
At the de Young, Kehinde Wiley's Epic Elegy for Black Lives Also Creates Space for Grief | KQED
Kehinde Wiley's Times Square Monument: That's No Robert E. Lee - The New York Times
Rumors Of War' Is Kehinde Wiley's Response To Richmond's Confederate Monuments : NPR
In Pictures: the Musée d'Orsay Presents Kehinde Wiley's Fallen Figures Alongside the Historic Sculptures That Inspired Them
Artist Kehinde Wiley's First Public Sculpture in Times Square Is a Powerful a Rejoinder to Confederate-Era Monuments